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It supports not only the popular imperative-procedural paradigm, but also object-oriented and command-based programming. TRANSATLANTIC launch video for 'Looking For The Light'; third single from 'The Absolute Universe' Transatlantic - the Prog Supergroup of Neal Morse, Mike Portnoy, Roine Stolt & Pete Trewavas – are pleased to announce their fifth studio album 'The Absolute Universe', set for release on the 5th February 2021. Representing the band's first new music since 2014's 'Kaleidoscope', with 'The Absolute Universe' the band have done something unique and created two versions of the record: 'The Absolute Universe: The Breath Of Life (Abridged Version)' & 'The Absolute Universe: Forevermore (Extended Version)'.
Today they have launched the video for 'Looking For The Light', a track which features on both versions of 'The Absolute Universe'. v=Ovhv Y-v Uk LI TRANSATLANTIC - the Prog Supergroup of Neal Morse, Mike Portnoy, Roine Stolt & Pete Trewavas - are pleased to announce their fifth studio album 'The Absolute Universe', set for release on the 5th February 2021. As Mike Portnoy explains: "We've got two versions of this album. There is a two CD presentation, which is 90 minutes long, and a single one - that's 60 minutes. However, the single CD is NOT merely an edited version of the double CD. They each contain alternate versions and even in some cases, new recordings.
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We wrote fresh lyrics and have different people singing on the single CD version tracks as compared to those on the double CD. Some of the song titles have also been changed, while others might remain the same, but compositionally what you'll hear has been altered. You must appreciate that what we have done is unique.
We revamped the songs to make the two versions different." Pete Trewavas adds: "We did write some new music for the single CD," adds Trewavas. "What's more, there are also differences in the instruments used on some of the tracks across the two records." Each album will be available on CD, LP & Digitally. But there will also be what has been called 'The Absolute Universe: The Ultimate Edition', which collects both versions together in one lavish package that includes 5LP's, 3CD's & a Blu-ray that contains a 5.1 surround sound mix with visuals & a behind the scenes documentary.
All editions have unique artwork created by Thomas Ewerhard. The full list of formats is below, and pre-orders start on the 20th November: Initial tracking began in September 2019 when the band met up in Sweden to write and arrange the new material.
As Portnoy explains: "Over a period of 10-14 days, we mapped out the songs. Then we all went back to our home studios and did the recording. At one point, though, it was suggested that instead of doing what was by that time going to be a double album, we should just be content to do a single CD." "What happened was that everything kept expanding and expanding," recalls Stolt. "Therefore we decided it made sense to make it a double album.
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It was Pete and Neal who then came out and said they felt this would be too long, and we should reduce it to one…But we were already recording, and it didn't seem feasible to cut it back. There were so many pieces that each of us loved in what we were planning and didn't want to lose. That's when we ended up in discussions over the best way forward." This album also marks a return to the concept album for Transatlantic. "Well, the idea of Transatlantic deciding to do a concept record this time around won't shock anyone, right? "What we have is essentially one giant composition, split into chapters. The storyline is about the struggles facing everyone in society today." "We didn't start out with the idea of this being conceptual," admits Stolt. "The way things work with us is that we have a load of ideas, and these are developed spontaneously when we meet up. Everything happens in the moment." So, how does this new ground-breaking album compare to Transatlantic's previous four albums?
"I always try not to compare albums as much as possible," insists Morse. "It's very difficult when you're trying to be creative, because your natural instinct is to constantly compare.